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Lesley uses the randomness of clay to create individual pieces, where the human face, weathered and fragmentary, emerges from the surface. She hand-builds her pieces in a spontaneous and intuitive way, capturing an expression that speaks of human need. The ‘earthy’ quality of Lesley’s work suggests its landscape origins. By incorporating buff and terracotta cranks, there is subtle shading to the body of the work, whilst engobes add depth and patina to the textured surface. This restricted colour palette represents the mood of coastal landscape in winter. Work is fired to high temperatures This
pelican was a commission for a |